RECITAL OF CHAPTER I ACT I Shameless photography is barely ten years old, and pictorial erotica, nearly three thousand, when Mazzini, Saffi, Armellini and Garibaldi found the Republic of Rome and Pope Pius IX flees the Church capital. ACT II A French force of 7000 men with 500 cannons, coming to the aid of the papacy, places the city under siege, opposed by all of 2700 red-shirted volunteers wielding 97 pieces of antiquated artillery. ACT III Fierce fighting ensues on the city outskirts but life in Rome carries on barely perturbed - on streets, children view string-animated scenes of the resurrection of hand-painted Christ figures through peep holes in roving miniature theatres. ACT IV After five months under assault, Republican Rome falls and the soldiers of Napoleon III enter the Holy City, at the time inhabitated by 200,000 people, among whom 20,000 women of rather easy virtue. ACT V The victors find comfort in the arms of ripe common whores, still flowering, yet complacent models and "priests' wives" (as the "virtuoso" servants and handmaidens of the clergy were called). ACT VI This section on War and the Sacred is illustrated by paintings and colour lithographs from the roving "peep" theatres, the forerunners of modern cinematography. ACT VII In the mechanical miniature theatres viewers admire sacred transparencies of Christ rising from the dead, scenes destined to be replaced by obscene counterfeit Daguerreotype photos - paper calotypes coloured by hand. ACT VIII In this section you will find extremely rare images depicting objects and events of the time. You will see an illustration of a one-of-a-kind specimen of the candle-powered papier mache' "magic lantern" which was already one century old at the time of our "History". ACT IX Here are some of the world's first photographs, taken amidst the ruins of war. And some of those transparencies used by parish preachers to illustrate the countenances of good and evil.